FIVE POEMS FROM CRUDE
taylor brorby
I Suppose the World
finds the prairie drab.
Brown, mottled, void of verticality, no
beauty. Blue grama, with its firecracker
head, sways in the sun, and prairie dogs
bark at my strange steps on dry dirt,
genuflect to the cottonwood, sing with
the warble of the yellow-bellied
meadowlark, root myself
like silver sage to a land
that thrums.
Oil
—after John Donne
You ooze and flow over every rock
and crevice, looking for an outlet
into the free market of my soul
whose price you have taken captive
whose beauty you hold ransom.
Why can't we leave you under rock
where pressure and force can hold
you at bay? Toxic, your force is too
much—you slather your hands and
dap your knuckles as you count with
fisted fury the almighty dollar singing
God Bless America. But I will not
call you blessed. Destroyer of land,
you shall not enter here, the sweet
space of my longing. Stay in place.
Four hundred million years of work
shaped and formed you and another
four hundred million years will
bring you to mighty ruin.
Pump Jack
You plant your feet firm into soil
cock your head back in wild delight
as you plunge and pull crude
from deep within earth's sacred core.
You look right then left, peck hard
like a chicken against scratch
hoping no eyes take out their
telescope's glint in an excited passion.
You work at a fevered pace like a man
against the assembly line, hurry and bury
and pull and pluck and ram into a place
of subtle refuge.
Your heart beats like mosquitos' wings
furious for the last remaining
drop of blood.
Gospel
In the beginning was the dust
and the dust crumbled
and built a foundation
where the bone cracked
and flesh broke and leaves fell
where humus built
and oceans foamed
and the dry land bloomed
roses in midnight glow
orbs on the prairie
In the middle time water
and streams flowed
shined copper coins
glinting in the sun cottonwoods
steadied to mark the passage
of water from source to mouth
to belly to body to wash us
in the living thing.
In the end time pump jacks
rose on dry land
black snakes slithered
the horizon a bright orange flame
sent ripples of fear when—
bang—the last bird fell.
Eulogy
—for the Badlands
You were beautiful
a rough land of rock
awash in fuschia, cobalt,
sienna. Your spinal cord
of scoria granite and quartz
sturdy glistened in the noonday
sun. Arteries of streams
muddied and brown
pumped through your core,
life in a quiet way. But the world
destroys beautiful things.
What is it like to look over
the horizon and see
nothing but ruin? Your
permanence lost in the veil
of progress, a veneer of fortune.
On your deathbed you whispered
to me as flares flickered in your
eyes of delight. Tears muddied
my face and you said, Risk hope.
Wildness Return
I.
return to the place
place of longing
longing for the hope
hope of days
days marked by dirt
dirt of familial blood
blood too bitter
bitter dashed dreams
dreams childish things
things caught in the net
net soon lost like a jewel
jewel lost souls wandered
wandered field of clover
clover of kin
kin witness to the ages.
II.
water and wind and soil
rivulets of memory
the prints of my fingertips
soothed the cracks in my skin.
III.
skin brought me back
back to land confused
confused land of greed
greed grew in earth
earth watered by rain
rain across the prairie
prairie of Dakota hearts
hearts pull and pump
pump across time
time too short
short profit of pump jacks.
IV.
prairie of childhood wonder
wandering in time
nestle against broken bark
calms my crackling mind.
V.
mind in love with land
land of mica and quartz
quartz glistens in fossils
fossils rooted to sage
sage fades from the prairie
prairie of stubbled horizon
horizon mixed canyons
canyons scented with clover
clover what i want
want in parched land
land where I miss grass
grass where color
color of sienna brown
brown too drab
drab for the fast
fast-moving world.
VI.
whorled into wildness
land of longing
strut with grouse
rubble from the Rockies
this place knows love.
Skip ahead in this issue to an interview with Taylor Brorby on the anthology, Fracture.
Read these poems and more in Crude: Poems About Place, Energy, and Politics (Ice Cube Press, 2017).
taylor brorby
is a contributing editor at North American Review and sits on the Editorial Board of Terrain.org. His work has appeared in The Huffington Post, Earth Island Journal, and High Country News. Taylor has received fellowships from the National Book Critics Circle, the MacDowell Colony, and the Stone Barns Center for Food and Agriculture. He is at work on three separate books about the Bakken oil boom, growing up gay on the Northern Great Plains, and diabetes and climate change.